If I were writing this now, I’d have Head Alien pull out one of those ring-bindered photo albums. I mean, sure, he’d still have the screens — Heady loves the screens — but I think a dorky prop is also […] ↓ Read the rest of this entry…
It’s always good to have some toys to play with on Christmas. (Head Alien should really be saying “papa” or “pop-pop” or something that flows in that sentence better.)
Don’t fret, Head Alien, without your carelessness we wouldn’t have had that “Dick In A Box” music video.
Walky should really be flipped left to right in that first panel to preserve continuity of motion. Going from action-left to action-centered to action-right is neatly symmetrical, but kinda scattered, composition-wise.
Walky, this isn’t all that impressively smart. Your bar’s a little low. (also watch me struggle to draw walky’s head from different angles)
As I was scanning the original art page for this one, the second panel read a little sour to me. It was exactly as presented here, except Joyce had an annoyed eyebrow drawn in there. That didn’t sound much like […] ↓ Read the rest of this entry…
This sequence takes forever. Why, exactly, does it take three strips for Walky to pull away in his pickup? For better pacing, it shoulda been one.
I would draw these strips during class when I was supposed to be paying attention. Often with the paper hidden in my lap just under the desk. For the most part it worked out, but sometimes it means that when […] ↓ Read the rest of this entry…
An important part of the Walky/Joyce dynamic was that they were both doofuses. Oftentimes you have one of a pair be the realistic or cynical one, but these two are fullstop nutbars.
The strip before this one is when I started penciling in nonrepro blue pencil. Nonrepro blue doesn’t scan if you have your scanner set to line art mode, which means you never have to erase your pencils to keep them […] ↓ Read the rest of this entry…
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