Goddamn I love drawing a fight scene. And this is just about where I get to be somewhat competent at them. Like, I’m starting to be able to employ foreshortening successfully, which is a pretty important component in these things. I’m not entirely sure the way the panels are broken up in this is meaningful or I just kinda drew a buncha angled lines at random, and I’m also not entirely sure just these four panels is the best use of this Sunday-sized space, but I’m slowly getting there.

Additionally, it’s convenient how Sal’s hair is apparently glued directly to her left eye so that it stays in place even when she’s knocked over. le shrug