The cartoonist seriously did not care at this point. That is why this punchline. He is tired of all of you. Well, not Billie. Never Billie. But the rest of you can go hang.
The cartoonist seriously did not care at this point. That is why this punchline. He is tired of all of you. Well, not Billie. Never Billie. But the rest of you can go hang.
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So basically Billie’s continued plot relevance was because Fuck Yeah Billie, Fuck No Everyone Else?
Billie sure has a broken nose/bloodied face in Panel 2 for not being tired of Billie…
I didn’t even notice that til you pointed it out.
What happened there?
Willis. Willis and a pen happened.
Just because the cartoonist wasn’t tired of Billie didn’t mean he could draw her any better.
I swear, David draws way better than this guy. 😉
Which is why I voted for redrawn strips.
2..
This is my least favorite End of Roomies!. I’m glad there are so many more to pick from.
What a remarkable and strangely true way of putting that.
You’d think THIS would have been the thing to make Mary freak out and attack Danny.
Mary doesn’t need an excuse to freak out.
Oh, come on, past-Willis. Joe’s still got years of interesting character development in him!
I’m still having trouble figuring out what gesture Joe is making in panel three…
Joe is making fart noises with his armpit in panel three.
I love it when past Willis started off dramatic scenes with an awkward slur. It just really screams “early webcomics”.
Joe: “I’m still relevant, dammit!”
Originally posted:
December 18, 1999